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Tuesday August 24th, 2010
Ain't It Cool News interviews Full Clip Productions's Michael Schwarz

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Hey folks, Ambush Bug here with the seventh of fifteen mighty interviews I conducted at this year’s San Diego Comic Con. There were a lot of really big announcements from Radical Comics this year at the con. One of the bigger ones was the working relationship formed with Full Clip Productions, a production company out of Australia. Michael Schwarz is one of the founders of Full Clip. He’s already working with Rick Remender at Radical to bring us the upcoming film version THE LAST DAYS OF AMERICAN CRIME (a fantastic sci fi crime caper miniseries out now) and at SDCC it was announced that Radical and Full Clip would be doing two more comics, DAMAGED and PATRIOTS. I had a chance to talk with Michael about all of these projects, plus the big announcement that Sam (AVATAR, CLASH OF THE TITANS) Worthington would be producing and starring in a film version of THE LAST DAYS OF AMERICAN CRIME. A big fan of AICN, Michael Schwarz was more than willing to chat with me. Here’s what Michael had to say…

AMBUSH BUG (BUG): So you’ve got a couple of big projects coming out for Radical Comics soon. So you have PATRIOTS and you’ve got some other ones coming out too--

MICHAEL SCHWARZ (MS): We’ve got DAMAGED first. Its going to be a six issue arc, it’s created by my brother John and I, but it’s going to be written by David Lapham of STRAY BULLETS. We wrote a short version of it and he sort of expanded it to comic book length. We’re turning out the scripts now. It’s about two brothers on two sides of the law. One of them’s a cop the other is a vigilante. They’re approaching their 60’s. They’re at the end of their careers and they haven’t seen each other in 35 years. There was an incident that set them down different paths, and they’ve been training their replacements. So we go into what’s been going down in the last 35 years and then it goes into what happens when they meet up again after all of this time.
 

BUG: Sounds great. So when is that one going to be coming out?

MS: Spring of 2011.
 

BUG: So its being written right now--

MS: Yeah, we’ve got a script for the first issue. David handed it in quick and we didn’t have any notes for it. He gets it. It’s our story but it’s got David’s distinct voice. And we are very, very happy for it.
 

BUG: I saw the cover for it in the panel yesterday. Who’s doing the art for it?

MS: Well at the moment, Alex Maleev is the only artist attached right now, but he’s just doing the covers of the book. We are in the process of signing an artist, but right now we can’t say anything yet. Maybe in New York. But we’re just getting the contracts all worked out now.


 

BUG: So tell me about your other project, PATRIOTS.

MS: PATRIOTS was created by my brother (John Schwarz), myself, and Sam Worthington and another one of our friends Morgan O’Neil. And that one is much different in scope. It’s much more epic. The only thing we can say about it is that…there are seven continents in the world. If you had to sacrifice one to save the other six, would you do it? Again, I hate to do this, but we just got a writer on board yesterday and I’m really excited about it, but I can’t say who it is yet. But I’m really excited about it.
 

BUG: The poster of it is really iconic. I love it.

MS: Yeah, cool. Initially, that was just going to be a teaser poster, but Radical always nail the visuals and…something that they just rushed together in a few days turned out to be so iconic. So we’re going to use that as the cover now.
 

BUG: So what’s comic book reading like in Australia?

MS: What are comics like? We’ve got a few comics shops—I’ll give a shout out to Kings Comics in Sydney. Yeah, we have the same shipping schedule. Wednesday over here is Thursday over there. But it’s pretty much the same over there. We get the same stuff.
 

BUG: So tell me a little bit about Full Clip. How did that production company come about?

MS: Yeah, Sam and I formed this company with my brother and originally it was going to be a film company. I was working with Barry on LAST DAYS OF AMERICAN CRIME and so while I had him, I pitched him some comics ideas and he really sparked to it. So he greenlit that to go ahead. In developing it with my brother and Sam, Barry said rather than do one comic for us, why don’t you do a bunch of them. So he offered us this imprint deal, so now we’re a comic company as well.
 

BUG: So obviously you’ve been a fan of comics for a long time?

MS: Yeah, big time.
 

BUG: Any favorites you’re reading right now?

MS: Yeah, right now two of my favorites are WALKING DEAD and UNKNOWN SOLDIER. I’m really bummed that UNKNOWN SOLDIER is finishing up, but it’s a great comic.
 

BUG: And we’re missing THE WALKING DEAD panel right now, you know…

MS: Yeeeeaaahhh…I’ve given up on all of these lines here at comic con. I’ll see it sometime. I just like wandering around the floor here. It’s funny, I get to meet a bunch of actors, but I get really, really star struck around comic writers. All of these actors, I could care less about, but anytime Robert Kirkman would walk past, I would freeze. And people were saying, “Go get a photo with him!” and I would say “No, I can’t, I can’t, I can’t.” I think there’s a mystique around comic writers…I don’t know.
 

BUG: What’s it like working with Sam Worthington?

MS: Oh, it’s great. We’ve been best mates going on 12 years now. We are both creative guys, always talking about ideas to each other. You can’t turn Sam off when he starts talking about these ideas. That stuff happens when you are around someone like that. And my brother’s the same. We get a lot of joy from creating stories with each other. And now, thanks to Radical, we get a chance to put pen to paper and do it.
 

BUG: Are you guys stationed in Australia?

MS: We go back and forth—back and forth. Eventually we will probably be in LA for a while, but ultimately Australia will always be my home.
 

BUG: So what else do you guys have coming out?

MS: We’ve got another project coming up called AMELIA PLUMB; it’s quite dark. Its family oriented. It’s being written by John’s wife Jeannie Schwarz. I don’t know if I’m supposed to talk about that yet, but there’s a scoop. That’s going to be an illustrated novel. So along with that, we’re working really hard on LAST DAYS OF AMERICAN CRIME.
 

BUG: Do you want to talk a little bit about LAST DAYS? It’s such a great book.

MS: Its set in the not-so-distant future and the American government, after a bunch of dirty bombs have gone off, a new wave of terrorism, develop a broadcast signal that after they set it off, it will completely inhibit crime throughout the entire American population. So that’s what’s going on in the world. But the story follows a thug trying to go straight who is trying to put together the very last big heist in American history. SO it really is a heist film, but it’s got these subtle science fiction trimmings that set it apart. I’m so excited about it.
 

BUG: And what’s your role in making this film?

MS: I’m going to be producing it with Barry. I met Rick Remender last year—another guy I got star struck from when I first met him. I responded to the story and when I told Sam about it, he got really excited about it. Everyone loves a heist film, but add that sci fi touch to it and it becomes a very fun story.
 

BUG: So Sam is going to star in it?

MS: He’s going to be playing Kevin Cash, the safecracker that the main character hires to help him with the heist.


 

BUG: Is there anyone else on the film yet?

MS: At this point, it’s still in the early stages. We’re just working on the ins and outs of it right now. So nothing yet.
 

BUG: Anyone attached to direct it yet?

MS: Not yet, but I’ll call you first when we announce it.
 

BUG: Well, thanks for taking the time to talk with me. Maybe I’ll see you again next year and we can see how these projects have developed.

MS: And I’ll have some comics to show you. Thanks, man. It was great to meet you.
 

BUG: You too. Thanks.

So it sounds like Full Clip and Radical have a lot of very cool projects coming up in the next year. Be sure to stay tuned to AICN Comics to see further developments on Radical Comics’ exciting new series.
Posted by Marketing Assistant at 00:42
Friday August 20th, 2010
Work In Comics interviews Radical president and publisher Barry Levine

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Conducted by Nick Defina, below is a great interview on the origins and inner workings of Radical.

The Comic Jobs Interview Series is an ongoing feature that has been put together for comic creators and fans who want to get some real insights and tips about working in comics. Do you want to have a job in comics? Are you already working in a particular area of comic creation and wanting to climb the ladder to the ultimate comics career? These interviews will give you great ideas on how to get started and how to deal with the ups and downs of working in comics. Full interviews will be posted weekly on the Work In Comics Blog and the Septagons Studios Comic Blog

In this series we will be talking with comic creators in all areas of comic development both professional and independent from Comic Artists to Comic Writers to Comic Publishers to Comic Editors to Comic Bloggers to Comic Journalists and more. These people are the real comic Superheroes doing what they love and helping to spread good comics for the world to enjoy. We will dig deep to gain insights and we might even get a little “up close and personal” with our interviewees to find out what kind of stuff they are into. Be sure to check back with us weekly for your dose of Comic Jobs Interviews.

For this inaugural interview we have handpicked someone who we have been following for quite some time now. We are happy to kick off this first Comic Jobs Interview Series with the President and Publisher of Radical Publishing, Barry Levine. Just a few years ago you would have probably called Radical Publishing a sleeping giant because of the sheer potential and quality of their comics but when you look at Radical Publishing today you will see that the Giant has woken up and it’s on an Ass Kicking Rampage! Beyond continuing to have some of the coolest art and stories in the comic industry, Radical has expanded into gaming with Radical Interactive and movies with Radical Pictures. They have some really cool stuff going on which we will be talking about at the end of this post BUT NOW it’s time to jump into this interview here with Barry Levine to find out more about him and Radical and his comic job. Here we go…

WorkInComics.com: Tell us a little bit about how you got started in comics and what interested you in the medium?
Barry Levine: I started about 14 years ago as an independent film producer looking for high concepts. I’ve always been an avid reader of comic books, be it made Silver or Golden age, whatever. I just love great stories. I was introduced to a company called Acclaim that had just bought Valiant and the editor at the time was, Fabian Nicieza. He was extremely kind to me and allowed me to represent Magnus, Robot Fighter and Shadowman. I eventually set up Shadowman at New Line and then later on at Dimension. We almost set up Magnus with John Davis and Goldman at Warner Brothers, but they couldn’t make the deal. That was my real entrance into the publishing industry.

WorkInComics.com: What kinds of other jobs have you worked at besides comics?
Barry Levine: Prior to this, I was a music supervisor/producer for soundtracks. I did everything from the academy award winning Driving Miss Daisy to Street Fighter to Judge Dread. Prior to that, I was one of the top photographers in the world in the field of rock n roll. I shot everybody from KISS, Motley Crüe, and Aerosmith. I worked in England for four years for New Musical Express as one of their staff photographers where I shot everybody involved in the punk era…from The Clash, to the Sex Pistols, to Generation X, etc. Both mediums were always visual which helped my sense of design in working at Radical. I’ve mentored a designer named, Jeremy Berger, who is probably one of the best art directors in the business right now, if not the best.

WorkInComics.com: Publishing comics is not an easy business these days but we believe there is still a lot of opportunity out there for the indie publisher and creator. After being involved in comics for a long time and operating a successful comic publishing company what would you say, based on your experience, is the most essential factor in making a comic publishing company stand out in today’s market?
Barry Levine: Story, art, delivering on time, and viral marketing. Also maintaining great relationships with the creators so a level of trust exists beyond just the comic book.

WorkInComics.com: What would you attribute Radicals success to? Originality, your team, quality of properties, marketing…?
Barry Levine: I would say originality in our concepts and definitely our painted style of artwork. Also a secret weapon called Renae Geerlings who is one of the best editors I’ve ever worked with. Also our ability to do grass root marketing. Every two months we call almost every comic book store in America and we maintain close relationships with these people whether they sell one comic or one-hundred comics, it’s irrelevant to us.

WorkInComics.com: What is a typical day at the office like for Barry Levine, if there is even such thing as a “typical day”?
Barry Levine: There isn’t a typical day because I’m involved in our motion picture division and so many different aspects of what Radical does and where Radical is going. I work closely with my art director, Jeremy Berger, and the head of production, John Zopfi. I strive to maintain the consistency in our quality of art and our covers and I talk to talent in the film industry or creators in the publishing industry. A single day runs a pretty wide spectrum but I don’t really have a specific agenda. The first thing I do when I get into the office in the morning is roll calls with my executive assistant, Amanda Mortlock.

WorkInComics.com: What do you like best about your job?
Barry Levine: That I’m able to interact with talent, listen to a pitch and give them an answer before they leave the room as opposed to waiting a month or two for someone to hear back from me…that’s something that has happened to me in the past at various independent publishers. Myself and my team are able to create our own content based on iconic characters and reinvent them. Bottom line is that I’m able to green light what I want to green light which is something that I could never do my whole life.

WorkInComics.com: How does Radical manage to stay fresh and on the cutting edge of comics?
Barry Levine: Again, it’s contingent upon the quality of the writer and the story that we’re developing. If we do crime, it has to have a twist to it. If it’s iconic like Hercules, it has to be more seven samurai/mercenaries opposed to the basic premise of Greek mythology and it’s mythical entities like three-headed Hydras and Cyclopes.

WorkInComics.com: Name one book and one comic that you are reading or have read recently?
Barry Levine: I love The Boys by Garth Ennis. I’m head over heals over The Last Days of American Crime by Rick Remender. His characters and dialogue are just so edgy and grounded and the story is a lot of fun to read.

WorkInComics.com: Radical Publishing has some of the best artwork in comics today. Why do you have such a strong focus on artwork?
Barry Levine: It’s my background as a designer photographer that allowed me to be very specific with color palette, perspectives and depth. If you look at our books, not one book looks the same. Every book has it’s own design definition and it’s extremely important. Dealing with a medium of one dimension, it’s always been a priority for me to create art that doesn’t just accompany the story, but allows one to go back once again or spend more than a second or two looking at the art cause there is so much detail in the foreground and background. I think this is the main reason that we do this.

WorkInComics.com: What are some of the projects that readers should look out for from Radical Publishing this year?
Barry Levine: Oblivion, created by Tron Legacy director Joseph Kosinski and written by Arvid Nelson of Rex Mundi Film. After Dark, created by Antoine Fuqua. Time Bomb, written and created by legendary team, Jimmy Palmiotti and Justin Gray with remarkable artwork by Paul Gulacy. Earp: Saints for Sinners, Driver for the Dead, and Mata Hari. Also, Ryder on the Storm by David Hine, The Rising and graphic novel, Legends: The Enchanted, by Nick Percival. These are some of the projects that one should look out for.

WorkInComics.com: It looks like Radical Publishing is on a serious tear. These are all really great projects. We also noticed that Radical Publishing has also been popping up in the news lately with some BIG TIME Headlines:

Joseph Kosinski’s ‘Oblivion snapped up by Disney“Oblivion,” the upcoming Radical graphic novel from “Tron Legacy” director Joseph Kosinski, has found a home with Disney.

Sam Worthington To Produce And Star In The Last Days Of American Crime
Radical Publishing is excited to announce that Sam Worthington has signed on as both star and producer for the film adaptation of The Last Days of American Crime, based off of Radical Publishing’s comic book series, The Last Days of American Crime, created and written by critically acclaimed author Rick Remender (Punisher, Fear Agent). Sam Worthington will be a producer along with producing partner, Michael Schwarz, and Radical’s president and publisher, Barry Levine.

Radical And Dogtown To Develop Interactive Games
Dogtown Studios and Radical Publishing, under the Radical Interactive banner, are proud to announce a partnership to jointly produce a brand new iDevice (iPhone, iTouch,iPad) game that will offer exceptional quality and excitement for the casual, as well as the experienced, gamer.

For more Radical news click here

Those are some pretty great accomplishments for just starting out a few years ago. Well it’s time to wrap this baby up. Thanks Barry for taking the time out of your busy schedule to provide us with some great responses and insights. You are definitely living the Ultimate Comic Job. Best of luck with your future projects. If you want to learn more about Barry Levine and Radical Publishing please visit: www.Radicalpublishing.com .

 

To read the full article on the Work In Comics Blog, click here.

Posted by Marketing Assistant at 00:53
Tuesday August 17th, 2010
Philadelphia Daily News praises Driver for the Dead #1
Radical Comics has a fresh take on the undead

By JEROME MAIDA
Philadelphia Daily News

For the Daily News

RADICAL COMICS may have used last month's San Diego Comic-Con as a launching pad for a quintet of new titles, but the company is still emphasizing quality over quantity.

A case in point is its new series "Driver For The Dead," which could easily have been lost among the various books trying to capitalize on the vampire/zombie/undead genre these days. Instead, writer John Heffernan does a fresh take. The "Snakes On A Plane" scribe teams with artist Leonardo Manco to give readers what is becoming commonplace in Radical's books - writing and visuals that are virtually cinematic in caliber and scope.

In what appears to be a nod to that trend - and also, perhaps, to catch the eye of Hollywood movie producers - the first character we are introduced to is a stoic black man named Mose Freeman - a dead ringer in appearance, action and attitude to Morgan Freeman. Freeman is a "healer" who specializes in the supernatural.

He is called upon to provide his special services to a young, well-to-do couple new to the neighborhood whose son has fallen mysteriously ill. This leads to an exorcism attempt that takes several pages and is highlighted by the boy expelling something that makes Linda Blair's pea soup in "The Exorcist" seem tame by comparison.

Freeman is unflappable through it all until he is felled and the real story begins. A man with as long and distinguished a career as Freeman, battling demons, zombies and other supernatural creatures, is likely to have quite a few licking their chops to get their hands on his corpse.

There is only one man who can be trusted to keep his corpse safe and deal with the creatures of the night: Alabaster Graves, the Driver For The Dead.

When we first meet him, Graves is transporting a young boy he has to "take care of" before he completes the transformation from dead boy to undead vampire. Graves handles his emotional tasks with the cool detachment of a doctor who has to tell three people they're terminally ill every day. It's not pleasant, but it's his job.

The other star of the book is, arguably, Graves' hearse, which doesn't have a working radio or even an 8-track or seatbelts, but has a whole bunch of "safety features" that should entertain readers.

Two main themes run through this book. One is questioning who the true monsters of our society are. The second is the often overlooked issue - in comics especially - of race.

In addition, there are 46 pages of story and a 10-page "Hotwire" preview for only $4.99. Heartily recommended.

Read Jerome's full article by clicking the image below.

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Posted by Marketing Assistant at 00:25
Thursday July 29th, 2010
The LA Times talks After Dark with Antoine Fuqua and Wesley Snipes

Jevon Little of the LA Times discusses with director Antoine Fuqua (Training Day, Brooklyn’s Finest) and actor Wesley Snipes (Blade) about getting together and creating the world of After Dark. Read the full interview in the link below.

latimesblogs.latimes.com/herocomplex/2010/07/comiccon-2010-wesley-snipes-and-antoine-fuqua-develve-in-comics-with-after-dark.html

Posted by Marketing Assistant at 16:40
Wednesday August 18th, 2010
Radical Publishing featured on the latest podcast from the Comic Book Page

 Featuring a Time Bomb interview with Jimmy Palmiotti & Paul Gulacy, a special Exile interview with creators Keith Arem and Adam Lawson and closing with an interview with Radical’s Barry Levine.

Click the image below to have a listen.

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Posted by Marketing Assistant at 22:45
Wednesday August 18th, 2010
Ain't It Cool News called Time Bomb #1 "Pure Gold"

 

TIME BOMB #1

Radical Comics

Review by Ambush Bug

 

This is the type of comic book a comic fan jaded by the same old same old longs for. A mash-up of sci fi and the DIRTY DOZEN with heavy helpings of the coolest aspects of both. A Doomsday device is uncovered in an abandoned Berlin bunker unleashing a bomb containing a plague that will kill the entire planet in 72 hours. An abandoned military project involving time travel seems to be the only hope. Trouble is, the tech is tricky and when a military team is assembled to take out the bomb before it was discovered, they soon realize that they’ve been zapped to the heart of WWII. Written by uber-scribes Jimmy Palmiotti & Justin Gray, this story only teases with just enough sci fi to be fun without over explaining or lingering on things like paradoxes. Once the team is shot into the past, it’s pure action movie with a team of crusty pros with modern weapons facing down Nazis. This book is pure gold and far and above one of the best comics Radical has ever produced. To top it all off, the crisp and distinctive style of Paul Gulacy brings Palmiotti and Gray’s words to life. Just fantastic comic booking going on in this issue and I can’t wait for issue #2.


Click the image below to see the review.

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Posted by Marketing Assistant at 22:48
Thursday August 12th, 2010
JOIN RADICAL AND WIN

Winning has never been easier thanks to Radical Publishing. Simply sign up and suggest your friends to become fans of Radical’s Facebook page at www.facebook.com/radicalpublishing for a chance to unlock amazing prizes. For every milestone reached, winners will be selected at random, and that’s just one of the benefits of being a fan of Radical Publishing. For more information, simply go to www.facebook.com/radicalpublishing and become a fan.

 

 

Prizes:

·         10,000 Fans: 10 lucky people will win a TIME BOMB Poster and a copy of TIME BOMB #1 signed by Jimmy Palmiotti (Jonah Hex)

·         15,000 Fans: 50 lucky people will win an AFTER DARK poster signed by co-creators Antoine Fuqua (Training Day) and Wesley Snipes (Blade)

·         20,000 Fans: 5 lucky people will win a Radical T-shirt and 5 lucky people will win a Radical Publishing brand hat

·         25,000 Fans: 50 lucky people will win a THE LAST DAYS OF AMERICAN CRIME poster signed by Sam Worthington (Avatar) and creator Rick Remender (Punisher)

·         30,000 Fans: 5 lucky people will win an OBLIVION preview book signed by creator Joseph Kosinski (Tron: Legacy)

·         35,000 Fans: One lucky person will win an OBLIVION poster framed and signed by creator Joseph Kosinski, writer Arvid Nelson (Rex Mundi) and artist Andreé Wallin

·         40,000 Fans: One lucky person will win a TIME BOMB poster framed and signed by creators Jimmy Palmiotti and Justin Gray (Jonah Hex) as well as artist Paul Gulacy

·         45,000 Fans: 5 lucky winners will win a one year subscription to Radical Publishing’s comics and graphic novels

·         50,000 Fans:

o        One lucky winner will have their likeness and name in an upcoming Radical Publishing comic book

o        Another lucky winner will win a FREE iPad

o    All 50,000 Fans will receive a special e-comic

 

Posted by Marketing Assistant at 19:46
Wednesday August 11th, 2010
Dark Horizon interviews Michael Schwarz regarding Full Clip Productions and Radical Publishing

By Garth Franklin Tuesday August 10th 2010 12:51AM

From www.darkhorizons.com/

If there's one thing I don't really cover at the annual San Diego Comic Con, it's comics oddly enough. With so many film and television-related panels going on these days, the launch of comic titles or labels themselves often get lost in the milieu of sound bites from a geek-exalted filmmaker or visiting major celeb who let slip quotes about their next project whilst helping the studio pimp out their current one.

The main reason though is that Dark Horizons is a film, and to a lesser extent a TV, DVD & Blu-ray site. Video games, technology, comics or fandom in general doesn't fall under my purview unless there is a film-related component. This year however one such opportunity presented itself - Radical Studios.

Back in early July it was announced that Sam Worthington, the hunky Aussie thesp who has become an international household name faster than you can say iPad, had formed the production company Full Clip Productions with his fellow Australian cohorts Michael and John Schwarz. The trio had also signed a deal with LA-based Radical to team on comic/film related projects.

What was interesting though about the deal was that it wasn't about just straight up adaptations of existing titles from the growing Radical Publishing library. Rather the aim was to discover and cultivate properties they were all excited about and develop them into whatever form suits it best be it comics, one-off graphic novels, etc. and eventually films in certain cases.

More importantly though the guys seemed very adamant about getting good quality stories and original properties developed properly and not as a vehicle for any future film/series/game spin-offs. Their mission statement is to make Full Clip & Radical a place for good ideas rather than vanity projects, and with the deal they have in place they have the time to develop properties in a natural way that will help them flourish to their full potential.

At the time of the announcement there was a small press conference at the Radical offices in early July where all three talked about their general plans for the label to select genre press. Sadly I was still in Sydney at the time and missed the opportunity to participate. A little over a week later though I hit the ground in Los Angeles and San Diego, and on the second full day of Comic Con I was offered the opportunity for a one-on-one with Michael Schwarz.

Navigating your way through the 130,000 strong crowd of the convention center is as hard as it sounds. Walking down your average laneway, I passed by a Stan Lee impersonator on the left, and the real Stan Lee and his entourage on the right. After brushing past various people who really shouldn't be wearing spandex, and a male model in a "Tron Legacy" bodysuit giving me a downright unsettling stare that would've gotten Jeffrey Dahmer aroused, I arrived at the surprisingly spacious Radical booth.

A quick chat with Radical's marketing director led me to Schwarz himself. Relaxed and affable, the fellow Australian was making his second sojourn to Comic Con after his first trip last year lead to him meeting contacts, such as film producer Barry Levine, which played a big part in forming Full Clip. Of the trio, Michael is the one with the greatest knowledge of comics and admits he was the one that got Sam into comics in the first place, a field the "Avatar" actor has become much more familiar with since that introduction.

It all began with "The Last Days of American Crime", an existing Radical title that Schwarz found at last year's Comic Con and began to develop into a film adaptation with both Radical and Levine. During development, Schwarz pitched to Levine an original title he and his brother came up with a few years beforehand called "Damaged" and Levine suggested an 'imprint deal' which would allow the Schwarz's to create up to three titles a year that Radical would pick up and publish. Soon after, Full Clip was born.

"'Damaged' is the one moving ahead fastest" says Schwarz. The first title in their deal, the six-issue series "Damaged" follows two cops, one of whom becomes a vigilante. There's also themes of redemption, brotherhood, paternal family drama, etc. all set in a "violent, noir-style world". "Stray Bullets" creator David Lapham is helping write the comic, and the first issue is currently scheduled for release next February.

"Patriots" is the second title which was created by Worthington himself and is still in early stages. Currently seeking writers, Schwarz admits one of his favourite authors had just signed onto the title though he couldn't reveal who just yet. He describes the story as "massive in scope, deals with big big questions and issues".

A stand-alone graphic novel, "Patriots" posits the idea that one of the world's continents must be sacrificed for the rest to survive and how people deal with that decision. Upon hearing the concept I immediately say that it'll always be us (Australia) that'll get the chop which Schwarz laughs at.

Asked about Worthington's involvement in the process, he says Sam is "very very heavily involved.. he doesn't know how not to get involved". He adds that Sam's fingerprints are all over "Damaged" just as he and his brother are heavily involved in "Patriots", "I think he felt a bit left out with 'Damaged' so we had to let him get involved" says an amused Schwarz.

The third title they're working on is an illustrated novel by Jeannie Schwarz described as very "Coraline"-esque and more kid-friendly, something his nephews can read. They're also acquiring other properties but can't really reveal which ones presently as the deals aren't locked down yet. Despite Sam's involvement on the comics front, he won't necessarily be involved in the film spin-offs or adaptations that come from these properties.

Asked if there were any famed comic writers he'd love to get onboard on titles, Schwarz cites Garth Ennis, Grant Morrison and Joshua Dysart amongst his favorite authors and hopes to some day get to work with them. For now though their current titles are keeping them quite occupied.

Outside of their Full Clip deal, Radical Studios itself is pushing hard and fast with other film related comic adaptations including Sam Raimi's "Earp: Saints for Sinners", Joseph Kosinski's "Oblivion", "Shrapnel", Infinitum Nihil's "Calber", Darren Lynn Bousman's "Abattoir" and Imagine Entertainment's "Legends" all in active development. For more information on the complete Radical lineup, check out RadicalPublishing.com.

     
 
Posted by Marketing Assistant at 23:08
Tuesday August 10th, 2010
Ain't It Cool News interviews Radical's Barry Levine

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Interview conducted by Mark "Ambush Bug" Miller

Hey folks, Ambush Bug here with the third of fifteen mighty interviews I conducted at this year’s San Diego Comic Con. Last year, I chatted with Radical Comics Publisher Barry Levine at San Diego and it was Radical’s big debut at the con. With a year under their belts, Radical has become one of the most up and coming comics publishers in comics with major announcements in both the film and comics arenas. I had a chance to talk with Barry again this year. Here’s what he had to say…

AMBUSH BUG (BUG): Hi Barry, good to see you again. How’s the con going for you so far?

BARRY LEVINE (BL): We’re doing great. It’s our second year…our official second year. Like anyone else, the first two years we’re just trying to trudge our way through the publishing world and create a brand and find content and this year, content comes to us. People come to us. We couldn’t be happier.

BUG: What is the biggest change from last year to this year for you?

BL: The biggest change is A) the amount of announcements that we are making in regards to adapting our stuff to films. As you saw this week, Sam Raimi came on to directed and produce EARP.

BUG: That’s really exciting. How did that come about?

BL: It came about that we have quite a few properties that have been setting up and quite a few that are ready to go out now. But I’m not going to go out with three or four properties a month like a used car salesman. We don’t do that. We walk in when we’re ready and we walk in with full attachments. And I changed agencies and we do these great portfolios that we present that are representative of the concepts and the characters we have. And they said, “You know, Sam’s looking to do something like this. He loves Westerns.” And I said, “Well, this is a contemporary Western.” We’ve taken all of the classic icons--Wyatt Earp, Doc Holliday, Jesse James, etc.--and we’ve placed then in Vegas now, Modern Depression Era. So they called the writer Matt Cirulnick and said, “So we have interest from Sam Raimi.” And Matt said, “Great!” And then they said, “But you have to get on the phone with him in nine minutes.” And he said, “But I’m not prepared.” And they said, “Nine minutes.” They got on the phone and spoke for like an hour. Sam said “OK, let’s meet tomorrow for two hours.” That was on Friday. Then on Tuesday he called up and was committed. They said let’s go forward with it.


BUG: Is there a time frame set up yet for when the film will be out?

BL: I’m never going to commit to a time frame. The thing is the better the package, the better the script, the better the opportunity to get your product made. I don’t believe in bringing your comic book and a pitch and walk into a studio. Those days are over. You can do it. But 98% of the time they don’t get made. And I’ve been there, with many in the past. Our whole new thing; we’ve got HERCULES with Spyglass, that’s to go into production in March.Bryan Singer and I are producing FREEDOM FORMULA. Sam Worthington and I are producing THE LAST DAYS OF AMERICAN CRIME. There’s a lot of stuff. But I’m never going to say, this is our next film. It’s all going to depend on the availability of the stars, the quality of the script, you know. You just got to believe that if you bring the best, you get the best. That’s how I see it.

BUG: So you’ve got a lot of comics coming up this year. Let’s go over a couple of them.

BL: The one that I’m really excited about is called OBLIVION. We’re giving away an incredible ashcan now. This is something we’ve already been talking with three major studios already. Joe (Joseph Kosinski) purposely didn’t want to do a deal right now because he really wanted to focus on TRON and get it ready for Comic Con. And as of Monday, we go out to a couple of places and see what happens.

[Editor’s note; Since this interview, Radical has announced that OBLIVION has been picked up by Disney to be made into a film directed by Kosinski and produced by Levine.]


Bug: Can you tell me a little about OBLIVION?

BL: No. I want you to read it.

BUG: I will.

BL: I want to give you one of these to take with you.

BUG: I saw the concept art yesterday [at the Radical panel] and it looks amazing.

BL: The reason why I’m not telling you about it…I can tell you it’s going to be a part of our illustrated novel series. We’re doing comics, we’re doing illustrated prose novels with artwork. Our illustrated novels really excite me. We get artists who aren’t comic book artists and don’t want to do comics, not because they are highbrow, but because doing a comic takes a lot of work. And it takes a major commitment from an artist to do the kind of artwork that fits our style. It takes a commitment from them to meet the standards we’ve set here with our books and we keep raising the bar, so you’ve got these artists who would love to tell a story, so we came up with the illustrated novel, which is done in a portrait or landscape format in limited edition in hardcover and softcover in larger print runs. And the images are perfect for the iPad. It’s gorgeous.


BUG: What else do you have coming up?

BL: Big signing tomorrow with Antoine Fuqua and Wesley Snipes. Together they created AFTER DARK, which is being written by fan favorite comic book writer Pete Milligan. We have another project that we haven’t announced yet from Peter that’s creator owned, but he decided to write this book as a favor because he loved Antoine and Wesley and he loved the concept. It’s like an APOCALYPSE NOW meets THE DIRTY DOZEN.

BUG: Nice.

BL: It’s a little bit futuristic. You don’t see the sun anymore and this team goes on this voyage to find someone who society really needs to help maintain law in a lawless society.


BUG: So what type of things do you have for the next year or is that too far ahead?

BL: The kind of work we do, our illustrated novels takes 6 to 8 months to complete. OBLIVION’s taken a year.

BUG: I just read DRIVER FOR THE DEAD. I love that one.

BL: I love that one. We’re pushing that one hard and heavy. That was brought to me by mega-producer Mark Gordon.

BUG: I can’t wait to read TIME BOMB. It looks fantastic.

BL: From my boy, Jimmy. Jimmy Palmiotti. Anything to do with beating Nazi’s up, I’m there. If I could stick a 2x4 up Hitler’s @$$, I’m there.


BUG: OK! Well, I know you’re being called away, but I wanted to ask you one last question. Last year, you got your first tattoo [a full sleeve of Steranko’s HERCULES cover, the first comic Radical ever published] and I wanted to know if you got any more for this year’s con?

BL: Yeah, but I can’t show it to you. My wife would divorce me! (laughs)

BUG: OK. (laughs) Well, thanks for talking to me. Have a great con!

BL: Alright man, cool. Thanks.

BUG: Be sure to check out all of Radical’s new comics coming out in the upcoming year. They really do put out some of the most beautiful comics on the shelves today.


 

Posted by Marketing Assistant at 18:25
Saturday August 7th, 2010
Collider.com interview with Sam Worthington and his Full Clip Production partners John Schwarz and Michael Schwarz

 By Steve 'Frosty' Weintraub

 
While some actors are content to let their agents and managers find future projects with little or no input, Sam Worthington blazes a different path.  That’s because Worthington is constantly looking for cool properties to mine for potential big screen adaptations, and he seems to have a good eye for it.  Of course while you can attach yourself to various projects from other creators, what better way to land a great part than to produce it yourself.  And if you’re a lifelong comic book fan, what about landing your own imprint deal at a young but growing comic book company.
 
And that’s exactly what Sam Worthington and John and Michael Schwarz (his two close friends) have done, as they’ve teamed up with Radical Studios to create and develop intellectual property under the name Full Clip Productions. The goal is to find and create graphic novels that will be published with an eye toward screen adaptations.  Under the deal, they already have two graphic novels coming…one is Damaged, which centers on two brothers committed to justice in different ways – one inside the law, one violently beyond it. The other is called Patriots.

Here’s the deal: about a week ago I participated in a small roundtable interview with Sam Worthington and his Full Clip Productions Partners John Schwarz and Michael Schwarz in the Radical Studios offices.  We talked about how the friends got involved in the comic book industry, what their long term plans are, what are they working on now, and a lot more.
 
One of the things I really respect about Sam Worthington is his brutal honesty.  In an industry that carefully sends out press releases and never says what they mean, Worthington is a breath of fresh air as he always says what’s on his mind and he’s not afraid to say what he thinks.  Trust me, it’s not usually like this.
Since I always think it’s better to hear what someone has to say than reading a transcript, you can click here to listen to the audio of the interview.  It’s a good one.  Otherwise, enjoy the transcript below.
-
Question: I’ll start and say that Sam (Worthington), on the set of “Clash of the Titans”, you talked about your comic books back then, graphic novels and how you had a mate that went to Comic-Con –
 
Sam Worthington: Yeah, there’s my mate right there.
 
And there we go, the mate who went to Comic-Con and checked out all the books. So did this all start percolating, like how long ago did this all…
 
Worthington: Oh no. It was mainly Michael (Schwarz) in his basement playing Guitar Hero and reading comic books. I thought to get him out of the damn basement and send him to Comic-Con, you know. He needs to try and learn that the world is massive. (Laughs) Mike actually astounded me, blew me away, when he came back and he made all of these connections.
 
Michael Schwarz: Well the last day, I was going around looking at every publisher –
Worthington: Not because I wanted to make a movie, more so because to show Mike how big this world is.
 
John Schwarz: We’ve always loved comic books and graphic novels. Mike was kind of almost like the professor of it, we were both juniors. He was the master, you know what I mean so we said ‘Why don’t you go to Comic-Con and see what you can do’.
 
Worthington: Honestly I was expecting you to come back drunk and say ‘thanks for the opportunity’. I didn’t think you’d come back hooked up with Barry Levine and Radical and said ‘Hey, these boys want us to help out. We need to talk to them about where their ideas want to go’ and they had no idea what ideas we had.
 
Schwarz: Well The Last Days of American Crime got me straight away. The thing about Radical is that they’ve been around for only two years, and during that time they were only a year old, but they’ve kind of got this swagger about themselves that they’ve been around for so much longer. Even though they’re still in their infancy. It’s exciting to be around it, sort of exciting that it’s infectious. John, Sam and me latched onto Last Days and we hopped onboard. Barry Levine became our producing partner and I pitched him more about comics and Damaged, which is an original idea we had years ago. He dug it and from there he said ‘Well why don’t you go and make a bunch more?’ So we ended up getting this imprint.
 
Can go you back earlier and tell us how you guys met each other?
 
Worthington: Six to eight years ago. I went to drama school with John Schwarz and Mike’s his younger brother, so he tends to just hang out, that’s it.  So we’re a pretty tight bunch of guys, they do whatever they do and they’re my brothers basically.
 
So when “Kick-Ass” was coming out they were developing a novel and a movie at the same time. So is that kind of the same thing –
Worthington: No no, cause I think that’s arrogantly egotistical in the sense that you’re not even — that your going to have what you think you will. Essentially our idea is, through any kind of creative force, is to create a good story. It’s as simple as that. We’re comic book fans, so let’s create a comic book. If down the line Radical decides to pursue this further then that’s a great opportunity for us. But that’s not primarily why I wanted to get involved, and that’s how it’s kind of come out, been blogged and read about. Well with Damaged they’re sixty year old men so unless I’m weaing a f**king latex mask then I’m a bit sh*t out of luck aren’t I? And Patriots is about a lot of women so I can’t be in that one. (Laughs)
But even to create them you can’t look at it like that. I think the great thing about them is that we’re not limited by time or, you know, ‘we have x amount of days to shoot it’ like on a film. It gives us an avenue to get a lot of creativity and basically the only thing it’s going to cost us is ink and paper. Then we can run wild. Then if down the track something happens, then that’s out of our hands and that’s fantastic, that’s a great opportunity.
 
Schwarz: I think the integrity of the actual comic would be totally compromised if we were just thinking about it as changing it to another medium and selling it along the track. You’ve got actually think to yourself ‘let’s try to create a piece of art’. The strongest piece you can do without compromising down the track saying ‘let’s think about Nic Cage playing this dude’ or whatever...
 
To read the full interview, including details on their first title with Radical, Damaged, click on the image below
 

Posted by Marketing Assistant at 00:13
Wednesday August 4th, 2010
Joseph Kosinski's 'Oblivion snapped up by Disney (exclusive)

“Oblivion,” the upcoming Radical graphic novel from “Tron Legacy” director Joseph Kosinski (pictured), has found a home with Disney.

The sci-fi project will act as a Kosinski directing vehicle and will be produced by Radical principal Barry Levine and Kosinski. Radical's Jesse Berger will act as executive producer.

Kosinski partnered with Radical on the project in July 2009, although it was not set up at a studio. He spent the last year honing the story while putting the finishing touches on “Tron,” which is shaping up to be one of the most important movies for Disney in quite a while.

The story is set on a future Earth, where civilization lives above the clouds and scavengers collect ancient
artifacts from the polluted surface below. When one young scavenger finds a crashed spacecraft planetside, it lead him on a journey filled with romance and adventure.

It was Kosinski’s relationship with Disney production topper Sean Bailey, who was a producer on ”Tron” before becoming president of production at the studio, that helped cement the deal, which is in the seven figures and is said to be one the largest rights deals of the year.

Other studios were interested in the property and Bailey wanted to keep Kosinski in the Disney fold. The filmmaker, repped by Verve and Anonymous Content, is developing a remake of “Black Hole,” whose latest draft is getting high marks inside the studio.

Radical, repped by CAA and David Schiff, is due to release “Oblivion” this fall.

heatvision.hollywoodreporter.com/2010/08/joseph-kosinskis-oblivion-snapped-up-by-disney.html

Posted by Nick Cabugos at 16:38
Thursday July 29th, 2010
USA Today's Life Section talks about Radical at San Diego Comic-Con 2010

Radical CEO Barry Levine has an eye for developing properties into films. For this year's Comic-Con, the publisher's focus has been on the newly minted partnership with Full Clip Productions, the company co-founded by Avatar star Sam Worthington. The first properties that are tied to this partnership —Damaged and The Last Days of American Crime— are headed into pre-production as films. Radical also is promoting the comic-book miniseries After Dark, co-created by Wesley Snipes and director Antoine Fuqua.

www.usatoday.com/life/comics/2010-07-25-comic-books-at-comic-con_N.htm

Posted by Marketing Assistant at 16:42
Thursday July 29th, 2010
CBR talks about the Radical Publishing panel at San Diego Comic-Con 2010

At San Diego Comic-Con 2010, Radical Publishing held a panel, hosted by Harry Knowles of AICN, where they showcased their latest titles as well as discuss their latest such as Exile. Comic Book Resources was on hand and wrote about the event in the link below.

www.comicbookresources.com/

Posted by Marketing Assistant at 16:38
Thursday July 29th, 2010
Jesse Berger and Michael Schwarz talk Radical and Full Clip

Things From Another World came by the Radical booth at San Diego Comic-Con 2010 and talked with Radical’s Vice President Jesse Berger and Full Clip’s Michael Schwarz about the new imprint deal as well as some of the latest news on Radical.  See the video interview below.

www.tfaw.com/blog/2010/07/27/sdcc-10-radical-publishing-and-full-clip-productions/

Posted by Marketing Assistant at 16:29
Thursday July 29th, 2010
Tron Legacy director, Joseph Kosinski is pitching Oblivion

Following San Diego Comic-Con 2010, Deadline New York reports that Tron Legacy director, Joseph Kosinski is looking for a studio to film his new illustrated novel from Radical Publishing called Oblivion. For more details, check out the link below to the story.

www.deadline.com/2010/07/tronlegacy-helmer-joseph-kosinski-pitching-oblivion-as-directing-vehicle/

Posted by Marketing Assistant at 16:13
Sunday July 25th, 2010
CBR talks with Tron Legacy director Joseph Kosinski about his Radical book Oblivion

Oblivion_Preview_Cover_lowres_1.jpg

Conducted by Steve Sunu

www.comicbookresources.com

Every fan on the show floor of this year's Comic-Con International in San Diego will soon know the name Joseph Kosinski. In addition to directing the highly anticipated "Tron Legacy," which will be showcased over the course of the entire convention, Kosinski is best known for his direction of the amazing "Gears of War" commercial, "Mad World." While film and video game fans alike have ample reason to know the director, he will soon be no stranger to comic fans as well. Later this year, through Radical Publishing, Kosinski releases his creator-owned illustrated novel "Oblivion."

Plotted by Kosinski and scripted by Arvid Nelson ("Rex Mundi"), "Oblivion" takes place in an apocalyptic future where the Earth's surface has become dangerous and inhospitable, and people live above the clouds, returning to the planet only to scavenge supplies and relics from a bygone era. However, when one such explorer comes across a beautiful woman in a crash-landed craft, an epic adventure begins that will change the way he looks at his world forever.

Kosinski took time out from his jam-packed Comic-Con schedule to talk a bit about his first foray into the world of creator-owned comics, his thoughts as a director on the upward trend of comic book based films and, of course, "Tron Legacy."

CBR News: Joseph, tell us a bit about the story behind "Oblivion."

Joseph Kosinski: It's a love story that explores various themes ranging from identity to redemption. It's a sci-fi adventure that spans two different worlds and two different times. It's epic in terms of its scale and scope, but it's a character driven story with a small cast.

 Where did the concept for the series come from?

I first came up with the concept when I moved from New York to Los Angeles. I was inspired by old sci-fi models like "The Twilight Zone" to find an emotional, dramatic story that would raise interesting questions and play with perspective. I wanted to build the story around those few characters, but at the same time ask the bigger universal questions that are integral to science fiction, questions about our existence, our purpose in the big scheme of things.

Who are the central characters of the book? What can you tell us about them?

The main character, Jak, is an ex-soldier who works as a drone repairman on this barren planet. He fixes the drones that patrol the surface looking to destroy what's left of the Scavengers, a savage alien race. Jak has a partner, Vika, who's a by the book kind of career officer and she works as his "eye-in-the-sky," scanning for damaged drones and monitoring Scavenger activity. One day, Jak comes across a spacecraft that's crashed, and inside he finds this mysterious woman in "deltasleep." He rescues her from the Scavengers and takes her back to their Skytower, which is high above the clouds. When the woman wakes up, her story turns their lives upside down and sends each of them on an adventure of self-discovery.

What has your interaction and collaboration with Arvid Nelson been like?

Arvid is great. He's smart and fun to work with. Our process is pretty typical. We talk on the phone and discuss notes, and then he writes some more and submits pages and we talk again. We swap reference videos, images that relate to the story and talk about movies and books. He has a strong grasp on sci-fi and his ability to build worlds is unique.

You've opted not to go for a full-blown comic book format for "Oblivion" - why is that?

I think "Oblivion" could be made into a graphic novel with panels, but for our book, "Oblivion" will be an illustrated novel with around 40 to 50 large wide format images interspersed through the story. I wanted to do large painted images to really show the scope of the worlds.

What do you feel has been the most challenging thing about working on "Oblivion?"

The challenges have changed depending on the phase. At the beginning it was getting people to look at the story and then the challenge was finding the right partners, both illustrator and writer. Now the challenge is giving the project everything it deserves while finishing Tron Legacy at the same time.

What has been the most rewarding aspect of this project for you?

Being able to create a project completely from scratch. The story was something I came up with when I had just moved to L.A. It's a story that's close to my heart, so it's very rewarding to see the images and to read the novel and collaborate with creators and artists who share my excitement to make it into something unique.

Additionally, as a director, what do you think about the recent trend of comic books being adapted for film, especially considering that "Oblivion" is slated to become a major motion picture through Radical?

I think that it's great when the screenplay is strong and when the adaptation is taken seriously. A lot of comic books and properties lend themselves to being made into movies, but they're still vastly different mediums and processes. What works on the page doesn't always work on the screen. There's a balance between making the best movie and remaining true to what was strong about the original property. It's a fine line we've been walking on "Tron Legacy."

Speaking of "Tron Legacy," can you tell us anything about it?

It's out in December and it's a stand-alone sequel story to the 1982 film Tron. It's a father/son story. We've worked really hard to maintain the iconic design and feel of the original world, while updating it and creating some new elements. I'll be showing some footage at Comic-Con.

To see images of Oblivion, check out the article on CBR here.

Posted by Marketing Assistant at 00:10
Sunday July 25th, 2010
The Toronto Sun writes about Radical Publishing at San Diego Comic-Con 2010

By Kevin Williamson

www.torontosun.com

"Tron: Legacy isn't the only project at Comic-Con for director Joseph Kosinski, who Hollywood's hype machine is already comparing to James Cameron and David Fincher. (Nothing like low expectations.)

The other is Oblivion, an illustrated novel the filmmaker conceived for Radical Publishing.

The upstart multimedia company has made a name for itself in the past two years by marrying A-list filmmakers to their comics properties.

Just this week it was announced Spider-Man director Sam Raimi will helm Earp: Saints for Sinners, a post-apocalyptic duster that relocates the legend of the shootout at the OK Corral to Las Vegas. Radical president Barry Levine says Raimi, who made the 1993 western The Quick and the Dead, was immediately attracted to the idea. "This is the fastest a deal has come together."

Raimi is still expected to helm a Wizard of the Oz prequel for Disney so it's likely Earp will follow that, although Levine notes, "Nobody knows for sure."

Avatar star Sam Worthington is also in Radical's orbit. The publisher and studio is teaming with the actor's shingle Full Clip Prods. to develop multiple movies. Other potential Radical-based films include Hercules (produced by Peter Berg); Legends: The Enchanted (with Ron Howard producing); and Freedom Formula (which has X-Men's Bryan Singer producing and possibly directing). As for Kosinski, Levine says a major announcement on the futuristic Oblivion is mere days away.

Clearly, he's anxious to get cameras rolling.

"This is a hard business," he says of the sluggish pace of development.

But he's undaunted by the recent box office failures of such comics adaptations as Jonah Hex and The Losers. Why? Because he says Radical puts the story ahead of the deal. "The comics have to stand on their own."

Full article can be found here.

Posted by Marketing Assistant at 00:04
Tuesday July 20th, 2010
The Hollywood Reporter: Sam Raimi lassoes Wyatt Earp for film set in future

 

July 19th, 2010

by Borys Kit

Western hero Wyatt Earp is getting the sci-fi treatment via SAM RAIMI.

Raimi is attached to direct “Earp: Saints for Sinners,” an adaptation of a Radical graphic novel that Mandeville Films partners David Hoberman and Todd Lieberman are producing for DreamWorks.

Matt Cirulnick will write the script for the project, on which Radical president Barry Levine and Josh Donen, Raimi’s partner at Star Road Entertainment, also are producers.

The film and graphic novel re-imagines Earp — best known for the Gunfight at the O.K. Corral, where he fought alongside his two brothers and compadre Doc Holliday — set in a future in which he takes on outlaws in a ravaged society where the only boomtown left is Las Vegas.

The comic was created by Cirulnick and Mandeville exec David Manpearl. M. Zachary Sherman wrote it with Cirulnick, with illustrations by Mack Chater and Martin Montiel. Radical plans on unveiling the project Thursday during its Comic-Con panel.

Manpearl, Cirulnick and Radical’s Jesse Berger are executive producing.

Raimi, repped by CAA, next directs “Oz, the Great and Powerful,” a prequel of sorts of “The Wizard of Oz,” for Disney.

Mandeville last year produced “The Proposal” and is in preproduction on Disney’s new Muppets movie starring Jason Segel.

Radical has been on a roll leading up to Comic-Con, making a deal with Sam Worthington’s new production company to publish “Damaged” with an eye to bringing it to the big screen. The company additionally is developing “The Patriots,” also with Worthington.

http://heatvision.hollywoodreporter.com/2010/07/sam-raimi-lassoes-wyatt-earp-for-film-set-in-future-exclusive.html

Posted by Marketing Assistant at 06:17
Thursday June 17th, 2010
Imagine and Radical tackle fairy tale super-team in 'Legends'

 

Classic fairy tales are drawing Hollywood heat, with Brian Grazer and Ron Howard’s Imagine Entertainment and Radical Pictures the latest to work their magic.

The two are teaming to develop for the big screen “Legends,” a graphic novel from Radical’s publishing arm that brings together such characters as Red Riding Hood, Jack the Giant Killer and Hansel & Gretel in a dark fantasy setting.

Howard and Grazer will produce for Imagine, Barry Levine for Radical.

No writer has yet been hired to adapt, nor is it set up at any studio.

The story in “Legends” is set in motion when the remains of Pinocchio are discovered. Red Hood, now a noted wolf hunter, and Jack partner to discover who is murdering the creatures of folklore. Along the way, they are assisted by characters such as Goldilocks, re-imagined as a mercenary, and Hansel & Gretel, now psychic exterminators.

Click here to read the full report from the Hollywood Reporter.

'Legends: The Enchanted' on sale soon from all major book stores and comic shops.

 

Legends: The Enchanted
by Nick Percival

The graphic novel available July 7, 2010 through all major book stores and comic shops.

Click here to get notified when the book hits the shelves!

 

 

 

 




 

Posted by Radical Publishing at 16:35
Wednesday June 16th, 2010
Caliber: First Canon of Justice {Above The Influence}

 

In an Above The Influence commercial that aired during Game 6 of the NBA finals, our the critically acclaimed miniseries "Caliber: First Canon of Justice" was featured. You can see the young boy holding the book at 0:23 into the video.

The book is available at comic shops & bookstores nationwide! http://bit.ly/caliberfirstcanon

About Caliber: The Arthurian legend of Excalibur is reborn in the Old Pacific Northwest a world in which shamans replace wizards, gunfighters ride without a knight s armor and a mystical six-shooter forged from the metal of the fabled sword will change the world. In a land where lawlessness runs rampant, only Arthur can bring balance to the scales of justice, and only Caliber can bring justice to the land.

Posted by Radical Publishing at 17:33
Friday November 20th, 2009
SAM WORTHINGTON TO PRODUCE AND STAR IN THE LAST DAYS OF AMERICAN CRIME

Radical Publishing is excited to announce that Sam Worthington (Clash of the Titans and James Cameron’s Avatar) has signed on as both star and producer for the film adaptation of The Last Days of American Crime, based off of Radical Publishing’s comic book series, The Last Days of American Crime, created and written by critically acclaimed author Rick Remender (Punisher, Fear Agent). Sam Worthington will be a producer along with producing partner, Michael Schwarz, and Radical’s president and publisher, Barry Levine. Rick Remender will be the executive producer/screenwriter for the film and Radical’s Executive Vice President, Jesse Berger, will executive produce.

The Last Days of American Crime is set inthe not-too-distant future, as a final response to terrorism and crime, the U.S. government plans in secret to broadcast a signal making it impossible for anyone to knowingly commit unlawful acts. To keep this from the public, the government creates a distraction, installing a new currency system using digital charge cards. Graham Bricke, a petty criminal never quite able to hit the big score, intends to steal one of the charging stations, skip the country and live off unlimited funds for the rest of his life. But the media has leaked news of the anti-crime signal one week before it was to go live... and now Graham and his team have just a few days to turn the heist of the century into the last crime in American history.
 “I had met Sam’s producing partner, Michael Schwarz, at the recent San Diego Comic-Con, who loved the concept for The Last Days of American Crime” said Radical Publishing’s President and Publisher, Barry Levine. “I figured that since Sam had done three tentpole movies back-to-back with Terminator Salvation, Avatar and Clash of the Titans, that he would want the more character driven role of Kevin Cash, the sociopathic partner to Graham Bricke. Michael had set up a meeting between Sam, CAA agents Kimberly Hodgert and Jon Levin along with myself to discuss Last Days. During the two hour meeting, we hit it off and Sam had committed to both star and produce.”
Rick Remender commented with “Sam is the perfect guy for this. He's a scene stealer, made up in equal parts charm and intelligence. Seeing him play violent sociopath safe cracker Kevin Cash will be a treat all the world will enjoy”
Readers can preview the first 15 pages of The Last Days of American Crime on Radical Publishing’s MySpace page at http://www.myspace.com/radicalpublishing. The first issue of The Last Days of American Crime will be released on December 16th 2009.
The Last Days of American Crime #1 appeared in the October 2009 issue of Diamond Previews and features two separate covers, one by Alex Maleev (DCD# OCT091056) and another by series artist Greg Tocchini (DCD# OCT091057).
The Last Days of American Crime #2 appears in the December 2009 issue of Diamond Previews and features two separate covers, one by Alex Maleev (DCD# DEC090978) and another by series artist Greg Tocchini (DCD# DEC090979).

Posted by Radical Publishing at 18:36
Wednesday March 24th, 2010
See what Radical has in store for June 2010

Radical is releasing more titles with a couple of very special dollar books: After Dark from Antoine Fugqua and Wesley Snipes that is being written by Peter Milligan and The Rising from E. Max Frye and J.P. Targete. June also sees the long awaited collection of FVZA and the next chapter of Shrapnel: Hubris.

 

 

 

Read the full recap at brokenfrontier.com

Visit the Radical Shop to get books from these titles.

Posted by Radical Publishing at 00:00
Wednesday April 14th, 2010
Aladdin #2 and FVZA #3 Listed In Diamond's Top 25 Small Press Comics of March 2010

Diamond Comic Distributors defines Small Presses as publishers outside the top-10 bestselling publishers over the previous six months. In offering these breakdowns of the bestselling small press comics and graphic novels, a spotlight is shown on these publishers, affording them recognition for their strong sales in a crowded marketplace. To help retailers contextualize the relationship between the Small Press sales rankings, each chart offers for each book the overall ranking for the month amongst all publishers

Click here to see Diamond's full report.

Grab your copy of FVZA and Aladdin: Legacy of the Lost from our comic shop!

 

Posted by Radical Publishing at 22:13
Wednesday March 31st, 2010
Sam Worthington discusses The Last Days of American Crime with MTV Splash Page

From MTV Splash Page - Latest Interview with Sam Worthington discussing Last Days of American Crime

"We're putting ['Last Days of American Crime'] together as we speak," Worthington told MTV News. "The writer of the comic is actually doing his take on a draft. I thought that was a smart thing for me and my mates to get him to do, and we're looking for directors — a director who would be able to handle it." "We have many names, but it's too early to bring them up," he said. "My mate found it out of nowhere before the comic had even come out, so we jumped on it."

Posted by Radical Publishing at 16:57
Wednesday March 17th, 2010
Radical Selected Among Best Publishers For AICN's Year End Comic Awards

"OK, this was a hard category for me to choose a winner. Sorry to say it, but DC and Marvel cancel each other out and cancel themselves out. Both companies make fantastic books, but they are bloated beasts, diluting their product with spin offs and events and specials. Every time I like a book by one of the Big Two, I’m reminded about price hikes, delayed books, mismanaged projects…all of the things the @$$holes complain about each and every week. Radical Comics, on the other hand, may be a new kid to the block, but it’s a company that I think will have legs. By far, Radical has the most consistently beautiful artwork on the stands today. Check out Steve Pugh’s gorgeous HOTWIRE. Or Roy Allan Martinez’s mesmerizing FVZA. Or the art on SHRAPNEL or HERCULES or THE LAST DAYS OF AMERICAN CRIME or just about anything else Radical has to offer. And I haven’t even mentioned the utterly original stories from top writers like Rick Remender, Steve Niles, David Hine, Steve Pugh, and so on and so on. Plus they are allowed to go full-sack ballz out with the swears, the action, the themes, and the tone, something the Big Two aren’t allowed to do. While other comics companies are cancelling each other out telling the same capes and tights stories over and over, Radical brings something original and different to the table. For that reason, the bold stories, the vibrant artwork, and the sheer enthusiasm they have for every one of their products, Radical is the company that deserves best publisher this year."

- Ambush Bug

 

Click on the image below to see the full list of award winners

 

 
Posted by Radical Publishing at 23:38
Thursday February 25th, 2010
Radical's response in regards to Incarnate

We at Radical Publishing, Inc. and Radical Comics, Inc. are quite concerned to hear the news surrounding Nick Simmons’s Incarnate Comic Book. We are taking this matter seriously and making efforts now to contact the publishers of the works in question in an effort to resolve this matter.  We have halted further production and distribution of the “Incarnate” comic book and trade paperback until the matter is resolved to the satisfaction of all parties.  Rest assured that Radical is taking swift action regarding this matter and will continue in its efforts to maintain the integrity and protect the intellectual property of artists throughout the world whose creative works are the bedrock of our Company and the comic book industry.

Posted by Radical Publishing at 17:56
Tuesday February 2nd, 2010
COMIC BOOK ORANGE talks with Rick Remender on THE LAST DAYS OF AMERICAN CRIME

Go to 2:22

Posted by Radical Publishing at 23:40
Tuesday February 2nd, 2010
"ABATTOIR- It's a film! It's a comic! It's by the bloke who directs the Saw films!"

Interview with the creator of ABATTOIR, Darren Lynn Bousman, and Ian Berriman from UK-based science fiction magazine SFX

Saw’s Darren Lynn Bousman is setting his sights on both cinemas and comics shops this year. The writer/director’s latest project, Abattoir, will be both a film and a maxi-sized three issue comics mini-series. Why? Because there’s so much to say.

“It started out as a movie idea from myself and my writing partner Michael Peterson,” explains Bousman. “As we were in the early stages of developing it, we realised how huge this mythology was – it would have been hard to capture everything in a 90-minute movie. That sparked the idea of creating the world we wanted to create and using the comic book medium to help expand what the movie alone never could.”

It’s Bousman’s first opportunity to work in the medium, and he’s relishing it. “When I was in grade school I was addicted to Sandman. And I really loved and collected all the EC books.”

The starting point was trying to put a twist on a heavily codified subgenre.

“It began with me calling up my writing partner saying, ‘I want to do a haunted house movie.’ And therein lies the problem. Everyone in the world has done a haunted house movie! How do we create something new and original when the very concept has been done and redone countless times? When we finally hit it we knew we’d hit it, as it was a way into a haunted house story I have never seen.”

In the story, a real estate agent who’s cleaning up the aftermath of a massacre in a mansion is visited by a twisted old man, who draws him into “a web of shadows, murders and massacres”. Hmm, not certain where our sympathies lie here... Surely estate agents deserve everything they get?

“Normally I’d say ‘Yes!’ but since I’m not looking for a house... ‘No!’ Real estate agents are angels – angels, I tell ya!”

The cover art for issue one’s already been produced, and features that “twisted old man”, one Jebediah Crone. Bousman says creating an “iconic villain” was high on his to-do list.

“We tried to come up with a character harbouring a deep mythology. One of our goals.when approaching the project was to try to create a franchise akin to what we had in the ’80s. I mean, when was the last great villain created?”

The primary question for fans of the Saw franchise, of course, will be whether Abattoir lives up to its bloody-sounding title.

“Don’t worry, it’ll have lots of blood for the gorehounds,” chuckles Bousman. “But we’re really focusing on the atmosphere and story. In my old age, I’ve pushed the limit on blood as much as I care to – but I haven’t pushed the limit on atmosphere and story. I’ve realized that blood is only one way to unnerve people and I’m
focusing on all the other ways to make people uncomfortable!”
- Ian Berriman

Posted by Radical Publishing at 23:22
Wednesday January 27th, 2010
THE LAST DAYS OF AMERICAN CRIME #1 SECOND PRINTING TO HIT SHELVES ALONGSIDE #2

Retailers and fans who missed The Last Days of American Crime #1 the first time around now have a second chance to pick up the newest critically acclaimed title from Rick Remender (Punisher, Fear Agent). Radical Publishing is pleased and proud to announce that the second printing of Remender’s newest sold-out crime masterpiece, featuring series artist Greg Tocchini (Marvel 1602: New World), will be hitting shelves again alongside the highly anticipated second issue.

The Last Days of American Crime takes place in the not-too-distant future, where the U.S. government plans in secret to broadcast a signal making it impossible for anyone to knowingly commit unlawful acts as a final response to terrorism and crime. To keep this from the public, the government creates a distraction, installing a new currency system using digital charge cards. Graham Bricke, a career criminal never quite able to hit the big score, intends to steal one of the charging stations, skip the country and live off unlimited funds for the rest of his life. But the media has leaked news of the anti-crime signal one week before it was to go live... and now Graham and his team have just a few days to turn the heist of the century into the last crime in American history. 

Critics and fans have raved over The Last Days of American Crime #1.
"From cover art to opening pages, Last Days hits readers with an unflinching dose of pulp noir seediness and doesn't let up." – John Geddes, USAToday.com
“…because there are no new stories, writers must perform a magic act in order to make the reader believe he is reading something new. Well, someone get Rick Remender a top hat and a wand because he accomplishes it in the down and dirty Last Days of American Crime. By infusing a classic noir heist with the tension of modern American politics, Remender gives us a great opening to a comic series – perhaps even on the level of Criminal or 100 Bullets.” – Andy Bentley, IGN Comics
“The Last Days of American Crime” #1 is a good first issue that sets up the world and the crime at hand well. If you enjoy “Criminal” and other crimes books, you’ll probably get a kick out of this.” – Chad Nevitt, Comic Book Resources
“Remender paces this first act with just enough information, bravado, and grizzled noir to keep a hungry reader satisfied.” – Noel Bartocci, Broken Frontier
“This is crime fiction at its best. Remender totally immerses you in their world, and it's a hell of a ride.” – Sebastian Piccione, Project Fanboy
Don’t miss your chance to join the heist of the century! Check out The Last Days of American Crime #1 second printing (Diamond Code: DEC098036) alongside The Last Days of American Crime #2 with covers by Alex Maleev (Diamond Code: DEC090978) and Greg Tocchini (Diamond Code: DEC090979). To find a comic store near you go to www.comicshoplocator.com or call 1-888-comic-book.
Posted by Radical Publishing at 01:05
Wednesday January 27th, 2010
Radical's President Barry Levine and Executive Vice President Jesse Berger discuss Radical past, present and future with ELECTRIC PLAYGROUND

The Electric Playground concludes its week long series on comics going Under The Cover at Radical Publishing. Miri Jedeikin visits the Radical office and interviews Radical’s President Barry Levine and Executive Vice President Jesse Berger on a number of Radical’s books and up-coming titles. Check it out!

Posted by Radical Publishing at 00:52
Wednesday January 27th, 2010
COMICS CONTINUUM interviews Radical's Editor-In-Chief David Wohl regarding Free Comic Book Day 2010

Comics Continuum’s Kate Jewell interviews Radical’s Editor-In-Chief David Wohl to discuss Radical’s offering for Free Comic Book Day 2010. Radical Publishing will showcase four titles (Time Bomb, After Dark, Driver for the Dead and The Rising) for Free Comic Book Day in a 32-page book, with an eight-page preview for each title.

 
Go to COMICS CONTINUUM for a first look at art from the book, and be sure to look for more on The Continuum’s trip to Radical.
Posted by Radical Publishing at 00:41
Saturday January 9th, 2010
THE LAST DAYS OF AMERICAN CRIME #1 SELLS OUT

Radical Publishing is proud to announce that the first printing of fan-favorite writer Rick Remender’s criminal masterpiece The Last Days of American Crime #1 has sold out at the distributor level, with very few copies remaining at a select number of comic and book stores across the country. The Last Days of American Crime is Radical’s newest release featuring Radical’s “Bigger Books! Bigger Value!” initiative of 64-page books at a $4.99 price point. Hurry while you can and join the heist of the century!

Illustrated by the immensely talented Greg Tocchini (Marvel 1602: New World), The Last Days of American Crime takes readers into the world of Graham Bricke, a petty crook never quite able to reach the upper echelon of career criminals. When the American government installs a new currency system using digital charge cards, Graham puts together a grand scheme to steal one of the charging stations to finally hit the big time and live like a king for the rest of his life. As he assembles his team and finalizes his plans, the media leaks news of the government’s intention to broadcast a signal making it impossible for anyone to knowingly commit unlawful acts…in less than two weeks. Now, Graham and his team have a ticking clock to turn the heist of a lifetime into the final crime in the history of America.
“…writers must perform a magic act in order to make the reader believe he is reading something new. Well, someone get Rick Remender a top hat and a wand because he accomplishes it in the down and dirty Last Days of American Crime. By infusing a classic noir heist with the tension of modern American politics, Remender gives us a great opening to a comic series – perhaps even on the level of Criminal or 100 Bullets.” Andy Bentley, IGN Comics
“We’re incredibly proud of the response to Rick’s work, both critically and on the retailer and fan level,” said Radical President and Publisher Barry Levine. “The Last Days of American Crime is exactly the kind of project we strive for at Radical – high-concept, engaging and incredibly well-written. As we move into the New Year, we are always appreciative and thankful for the continued support of our distributors, the retailers and our fans.”
Rick Remender adds, "Everyone involved in the project is extremely excited and it shows in the final product. Greg's work in particular, it's just nearly unparalleled, he's been killing himself to make this series special and it's wonderful to see it paying off."
Posted by Radical Publishing at 01:15
Thursday January 7th, 2010
Recommended by ALEX ROSS: Hotwire: Requiem for the Dead

The trade paperback goes on sale February 2010, collecting the 4-issue miniseries in a "director's cut" edition that contains newly remastered tales from Alice Hotwire's past, never-before-seen pages written by Warren Ellis and amazing newly painted artwork. 

Posted by Radical Publishing at 02:06
Tuesday December 29th, 2009
IGN reviews THE LAST DAYS OF AMERICAN CRIME #1

"In a recent IGN Comics Smash! podcast, the point was made that because there are no new stories, writers must perform a magic act in order to make the reader believe he is reading something new. Well, someone get Rick Remender a top hat and a wand because he accomplishes it in the down and dirty Last Days of American Crime. By infusing a classic noir heist with the tension of modern American politics, Remender gives us a great opening to a comic series – perhaps even on the level of Criminal or 100 Bullets.

Although the title character is a down and out hustler by the name of Graham, the commentary on American society is equally as important. The bar Graham visits has a vintage American flag in the backdrop. The television has reports of unrest and violence at America's borders. Even the mysterious woman Graham gets involved with wears a red dress and has white star tattoos on her torso. Because of increased domestic terrorism and crime, America is about to abandon paper money, which means for veteran criminals like Graham, these are truly the last days of American crime.

The cast of characters will be familiar to anyone who is a fan of crime drama. Graham is your typical hard boiled lead not unlike a Clint Eastwood or Lee Marvin character. The criminals he enlists, Kevin Cash and Shelby Dupree, are a dangerous couple similar to Bonnie and Clyde or a toned down Mickey and Mallory from Natural Born Killers. Yet the story doesn't feel unoriginal. Remender also has a great ear for natural, genuine dialogue that puts the comic ahead of the pack. Plus there's just something about a good heist that demands attention. There is a well-timed reveal at the end of the issue that will have readers eagerly anticipating the next installment. My one complaint is that it took an interview in the back of the book with Remender to learn some of the finer details about the political landscape of the series. I'm glad they included this, but I'd rather see it included in the actual story. Hopefully these points will be expanded upon next issue.

As excited as I was to discover Remender's talents, I was equally impressed with the kinetic and expressive artwork of Greg Tocchini. His art is reminiscent of Phil Noto, but has some of the fluid and dreamlike characteristics of James Jean. Shelby is the selling point of the series and her visage is beautiful and appropriate for the genre. The opening page which zooms out from Graham's eye and the fifth page where Graham lights his cigarette have a very strong cinematic feel. Other elements, such as the 2D smoke ring Shelby blows in Graham's face, are ones that can only be done in comic book form. Tocchini handles action sequences very well which suggests that he may have an animation background like Phil Noto. I will definitely look for his artwork in the future.

Although Remender has crafted a fine crime noir, it's the socio-political aspect that won me over. I hope he continues to explore the impact of America's political activities and provide enough twists and turns to counteract the implied bleak ending offered up on the opening page."

CLICK IMAGES TO SEE REVIEW

Posted by Radical Publishing at 01:06
Saturday December 19th, 2009
MANIA Exclusive: Remender Plots his AMERICAN CRIME

A 3-part MANIA exclusive interview with THE LAST DAYS OF AMERICAN CRIME's Rick Remender

PART I:

"Few comics creators have enjoyed such a meteoric rise to prominence as Rick Remender. In spite of establishing himself early on as both a writer and an artist, it wasn't that long ago that he was primarily thought of as an inker on Marvel's 'Avengers' comics. Then, in 2005 the Remender revolution began. He reasserted himself as a creator, launching a fleet of creator owned books such as 'Sea of Red', 'Strange Girl' and 'Fear Agent' to name a few.

And last week, we reported that his latest effort was set to be adapted as a film with Remender writing the screenplay and actor Sam Worthington starring and producing. Remender talked exclusively with Mania about this exciting new comic from Radical Publishing called The Last Days of American Crime."

CLICK IMAGE TO READ PART I

PART II:


"Yesterday we presented part one of our interview with comics creator Rick Remender, who talked about his upcoming Radical Comics title The Last Days of American Crime.

The book is set in a near-future America which has been thrown into chaos over the news that the government is unleashing a mind-control device on its citizens that will prevent anyone from breaking the law. That's bad news to career criminal Graham Bricke, who has been planning a heist with a score that will offer him easy retirement. Bricke is forced to accelerate the timetable for his his scheme, and bring in an untested crew, including a not-to-be trusted Kevin Cash.

Radical Publishing is working on a very unique model, developing their comics simultaneously as film and TV projects, and including the comics creators in those other media ventures. In the previous interview, Remender told us about the book (due in stores in just a few weeks). In this installment he talks about the film prospects for The Last Days of American Crime."

CLICK IMAGE TO READ PART II

PART III

"Earlier in the week comics creator Rick Remender gave us the scoop on his new comic The Last Days of American Crime. In part two of our interview, Remender told us about developing the film version of that comic.

Of course, the prolific writer has a great many comics projects out there, all or which are attracting attention in Hollywood. We conclude our exclusive interview with talk of the film versions of Fear Agent, Sorrow and XXXombies to name a few. He also talks about next year's return of the Fear Agent comics."

CLICK IMAGE TO READ PART III

Posted by Radical Publishing at 00:23
Tuesday December 8th, 2009
WIRED.COM's Geek Dad- "Radical Raises the Bar on Comics"

"Radical Publishing is a relatively new company offering comics, graphic novels and art books. In their first two years they’ve recruited a host of great comics creators (including one of my personal favorites, Warren Ellis), and their offerings are decidely different from most of what you’ll find from Marvel or DC. Radical’s universe covers a variety of subjects “from mythological and iconic tales to genre-based crime, science fiction, supernatural, horror and fantasy themes.” I’ve gotten to glance through samples of several of their lines, and I’m pleased to report that not a single one looks like your typical superhero comic.

Not that I’m knocking superheroes—I’ll read any Batman comic you hand me—but I’ve always been disappointed that (with a few exceptions) the artwork inside a comic is so different from the cover. Radical’s comics, though, have artwork that will blow you away: it’s like page after page of cover art. They’ve got comics about Hercules, vampires, space epics, and even one that sets King Arthur in the Old West. (One note: their comics do look, at least at first glance, like they’re intended for older readers—this is definitely not Owly!)"

CLICK IMAGE TO VIEW ARTICLE

Posted by Radical Publishing at 18:45
Thursday December 3rd, 2009
Come celebrate the holidays and Golden Apple's 30 year anniversary with Radical Publishing

On Saturday, December 12th 2009, Radical Publishing alongside a number of comic book publishers will be participating in the Golden Apple & Comic Book Resources All-Star Holiday Spectacular celebrating Golden Apple’s 30 year anniversary. The event starts at 11:00 AM, runs until 5:00PM and will feature comic book creator signings, free giveaways and huge sales. Admission is free.

Acclaimed horror writer Steve Niles, will be signing copies of City of Dust: A Philip Khrome Story TP from 1:00 PM to 3:00PM at the Radical Booth and Hercules’ colorist Doug Sirois will be signing copies of Hercules: The Knives of Kush #1-4 from 4:00 PM to 5:00 PM.

Drop by and celebrate the holidays with us. Meet some amazing creators, get copies signed, pick up some amazing deals and get free stuff!

DETAILS
Date: Saturday December 12, 2009
When: 11am- 5pm
Where: Golden Apple- 7018 Melrose Ave (at La Brea), Los Angeles, CA 90038

For further information and updates visit:

GoldenApple.com or ComicBookResources.com

Posted by Radical Publishing at 23:46
Tuesday November 24th, 2009
'Last Days' a pulp thriller with high expectations

Interview with Rick Remender on THE LAST DAYS OF AMERICAN CRIME in USAToday.com

"From cover art to opening pages, Last Days hits readers with an unflinching dose of pulp noir seediness and doesn't let up. This dark world of criminals is one that Remender is comfortable writing about. "I'm drawn to that lifestyle, I suppose. I come from that background. I've never known any heroes, but I've known a lot of villains in real life. When you're at the bottom, you don't have a lot to lose. Writing from that perspective is more honest to me."

If it feels like you're watching an old-fashioned crime flick while reading the comic book, it should. The comic is actually serving as the screenplay for a movie that's already in pre-production. Hollywood up-and-comer Sam Worthington (Terminator Salvation, Avatar) will step into the role of safe-cracking sociopath Kevin Cash. He'll also assume the role of producer, along with his producing partner Michael Schwarz and Radical's president and publisher Barry Levine."

CLICK IMAGE TO READ ARTICLE

Posted by Radical Publishing at 19:57
Thursday October 8th, 2009
RICK REMENDER BEGINS THE COUNTDOWN TO THE LAST DAYS OF AMERICAN CRIME

In the not-too-distant future, as a final response to terrorism and crime, the U.S. government plans in secret to broadcast a signal making it impossible for anyone to knowingly commit unlawful acts. To keep this from the public, the government creates a distraction, installing a new currency system using digital charge cards.

Radical Publishing is excited to announce the December 2009 debut of The Last Days of American Crime, created and written by critically acclaimed author Rick Remender (Punisher, Fear Agent) and Illustrated by Greg Tocchini (Thor, 1602: New World). The bi-monthly, three-issue miniseries will be the latest in Radical Publishing’s 64-page bookshelf format with a low $4.99 price point.
The Last Days of AmericanCrime tells the story of Graham Brick, a petty criminal never quite able to hit the big score. In a grand scheme, Graham intends to steal one of the charging stations, skip the country and live off unlimited funds for the rest of his life. But the media has leaked news of the anti-crime signal one week before it was to go live... and now Graham and his team have just a few days to turn the heist of the century into the last crime in American history.
 “The Last Days of American Crime is one of the most unique crime stories on or off the printed page and Radical is very proud to be a part of it” said Radical Publishing President and Publisher, Barry Levine. “We’re especially excited to work with Rick Remender, one of the most talented creators in comics today. His writing is bringing a new and unique voice to the crime genre and we couldn’t be more pleased to help bring his story to life.”
In discussing how Last Days came to Radical, Rick Remender states, “Barry Levine called me after reading some of my other books and said he was looking for original genre pitches. I had one that I’d been itching to do for a long time in The Last Days of American Crime. It’s hardcore crime with an apolitical bent and it took someone like Barry and Radical to see the potential of such a thing.”
Readers can preview the first 15 pages of The Last Days of American Crime on Radical Publishing’s MySpace page at http://www.myspace.com/radicalpublishing.
The Last Days of American Crime #1 appears in the October 2009 issue of Diamond Previews and features two separate covers, one by Alex Maleev (DCD# OCT091056) and another by series artist Greg Tocchini (DCD# OCT091057).

      

Posted by Radical Publishing at 00:56
Thursday November 12th, 2009
FOR ALL COMIC RETAILERS, RADICAL IS PART OF DIAMOND'S 2009 HOLIDAY SALES BLIZZARD!

"Falling prices with quickly accumulating savings are in the forecast for Diamond accounts during our Holiday Sales Blizzard, which runs from November 5 through December 4 at 5:00 p.m. EST!

The Blizzard offers huge savings on more than 3400 items from Diamond and selected suppliers. Some items are offered at an extra discount, others at a low net price, and ALL WITH NO REORDER CHARGE!"

Click here for more details on how to get some great deals on Radical titles.

    

Posted by Radical Publishing at 06:31
Wednesday November 4th, 2009
Know the Truth

Concealed Public Service Annoucement from the FVZA: Federal Vampire and Zombie Agency.

Posted by Radical Publishing at 02:17
Tuesday October 27th, 2009
FVZA: FEDERAL VAMPIRE AND ZOMBIE AGENCY ISSUE #1- ON SALE NOW!

The first issue of Radical Publishing's newest and long-awaited miniseries FVZA: Federal Vampire and Zombie Agency written by popular comic writer David Hine (Civil War: X-Men, Spider-Man Noir) is on sale now. The first issue has been receiving rave reviews across the board. Be sure to pick up a copy at your local comic book store. Visit http://www.comicshoplocator.com to find a store near you.

"Hine has the unique ability to take familiar horrors and turn them into new terrors. FVZA is David Hine at his best. Prepare for a bloody fun ride." Steve Niles

Based off of the popular website, FVZA.org, created by Richard S. Dargan, FVZA chronicles a world where a deadly disease, representing a new threat of global terrorism, transforms innocent victims into Zombies and a long dormant government task force is called into action: The Federal Vampire and Zombie Agency. Throughout history, from the Civil War to World War II, the FVZA protected humanity from the blood-sucking and flesh-eating hordes -- until a cure was discovered that sent the undead to their graves. When a new incurable strain of the virus ravages a small town in America, Agent Landra Pecos must call upon her lethal skills to eradicate the threat. But as Landra delves deeper into her investigation of the undead menace, she uncovers shocking secrets that will forever change her family, her world and her life.

FVZA is a cutting edge reinterpretation of American history and Radical is excited to bring it to life,” said Radical Publishing President and Publisher Barry Levine. “David Hine is just a phenomenal writer who is taking a fresh mythology to new heights. Longtime fans of the website as well as new readers won’t be disappointed with David’s amazing take on the FVZA.”

The three-issue miniseries is the latest title in Radical Publishing’s new 64-page, bookshelf format, with a low $4.99 price point. Also featured in issue #1 is a special preview of The Last Days of American Crime by Rick Remender (Punisher, Fear Agent) Radical’s next bookshelf title, on sale December 2009.

You can view a 15 page preview of FVZA: Federal Vampire and Zombie Agency #1 at http://www.myspace.com/radicalpublishing

FVZA: Federal Vampire and Zombie Agency #1 appears in the August 2009 issue of Diamond Previews with covers from both John Bolton (DCD# AUG091034) and Clint Langley (DCD# AUG091035). FVZA: Federal Vampire and Zombie Agency #1 is 64-page prestige comic for only $4.99.

Posted by Radical Publishing at 18:15
Monday October 5th, 2009
Channel 6 News Story on Dr. Hugo Pecos and the FVZA

Local news story on DR. Hugo Pecos' efforts to get an FVZA memorial placed in Alburquerque's Civic Plaza

For more info visit www.fvza.org

Posted by Radical Publishing at 20:02
Wednesday August 5th, 2009
TRON LEGACY’s JOSEPH KOSINSKI SET TO DIRECT OBLIVION

The Coming out of San Diego Comic-Con International, Radical Publishing is proud to announce that Joseph Kosinski, director of the upcoming Tron Legacy, is slated to direct Oblivionas a full-length feature film, based on the upcoming hardcover book also created by the director. Oblivion will be produced by Kosinski alongside Radical Publishing’s President and Publisher Barry Levine, filmmaker David Fincher (The Curious Case of Benjamin Button) and Anonymous Content’s David Morrison. Radical Publishing’s Executive Vice President Jesse Berger is attached as executive producer.

Set in the distant future, Oblivion revolves around a court-martialed soldier who is exiled to a desolate planet ravaged by the wrath of time. During his efforts to explore his surroundings and bring an end to the last remains of a primitive alien race, he comes across a mysterious traveler. Through the help of this enigmatic traveler, the soldier begins to question everything he knows – both about the galaxy at large and himself.

"I was looking to make a science fiction film that I could do on a budget," stated Kosinski of the initial concept. "It's grown since then, but it's intended to be a very spare science fiction film, with a small cast but big ideas and big landscapes."
“We’re very excited to have Joe Kosinski’s Oblivion at Radical,” said Barry Levine. “This our very first non comic property and the first book to debut in our illustrated novels collection. Not only has Joe crafted a unique vision for this book, he’s managed to create an incredible world and a compelling story. We’re pleased and proud to be a part of this project and fans will be overwhelmed with what we are planning for this book’s release.”
Oblivion will debut as a Hardcover hybrid novel in a landscape format, mixing the traditional text based novel with highly rendered illustrations. The book is set for a San Diego Comic-Con 2010 release under the Radical Books imprint.

Posted by Radical Publishing at 00:00
Thursday July 23rd, 2009
DARREN BOUSMAN TO DIRECT AND WRITE ABATTOIR

Following up on the announcement of Darren Bousman signing at the Radical Publishing booth for the 2009 San Diego Comic-Con, Radical Publishing is proud to announce that Bousman, the acclaimed director of Saw II, Saw III and Saw IV, is attached to write and direct Abattoir as a feature film, based on the upcoming comic miniseries developed by Bousman and writing-producing partner Michael Peterson. Abattoir will be produced by Radical’s President and Publisher, Barry Levine and executive produced by Radical’s executive Vice President, Jesse Berger and Darren Bousman.

Abattoir chronicles real estate agent Richard Ashwalt who is assigned the impossible task of cleaning up after a brutal massacre that takes place at a mansion. As he cleans the blood-soaked grounds, a twisted old man journeys to the house with a sinister and terrifying purpose, and draws Richard into a web of shadows, murders and massacres that will shatter him to his very core…and make him run for his life.

“I am addicted to haunted house stories.” stated Bousman “I love them... My addiction to this genre became an obsession to create one of my own.  Abattoir is my spin on a haunted house story.

“Darren has crafted a thrilling horror story and we are excited to have him both debut a preview of the cover art at San Diego Comic-Con and have him adapt the film.”said Radical Publishing’s President and Publisher Barry Levine.

Posted by Radical Publishing at 00:00